August 7, 2015 § Leave a comment

And here is a document explaining some of the aesthetic context and unusual techniques involved in the guarded tourist. It was written for a presentation I gave at the Music and/as Process conference in Canterbury, summer 2014.

Leave a Reply

Fill in your details below or click an icon to log in: Logo

You are commenting using your account. Log Out /  Change )

Facebook photo

You are commenting using your Facebook account. Log Out /  Change )

Connecting to %s

What’s this?

You are currently reading at David Bremner.


%d bloggers like this: